I feel respected here and I feel human
I've been part of a team of 6 artists that designed and delivered a programme of art practices in HMP Parc. The title of this blog post comes from one of many quotes that were gathered at the end. This one really stood out for us.
Creative Roots is a collaboration between Das Clarks, and was devised during lockdown. Gareth Clark called it 'Creative Roots.' The project aimed to offer residents of HMP Parc, including staff, the chance to explore creativity without being held back by perfection, beauty, or technical excellence, to inspire new perspectives and dialogue. We hoped to introduce different ways of being, within confinement.
I worked alongside Gareth Clark to deliver a 'foundation' phase in the first few weeks. This contained 'no-fail' activities such as continuous line drawing and ink painting. As Gareth explains, "The tension arose from a desire to take the men on a creative journey and to do that we wanted them to trust us, to follow a programme that asked them to draw without looking at the page, to throw imaginary items around the room and to describe what a photography might sound like."
Creative Roots began with Research and Design. Gareth and Dee Rogers facilitated it on Zoom and made it fun - initially calling it 'The Escape Committee' but later this title was dropped for obvious reasons!
Working in the prison was daunting at first - the sights and sounds were overwhelming. Personally, going into 'A' Block felt like going into the bowels of a gigantic ship - the depths of the engine room where only the 3rd class passengers are allowed. (I only knew this because I'd been to the Titanic Museum in Belfast the year before). It was the first time that I'd delivered a flower painting practice to men. I thought they were going to laugh me out of the room (they didn't). My preconceived notions of what an inmate was, were turned upside-down.
It's been one of the most rewarding and challenging experiences I've ever had and I would do it again. If you want to read more about the project, check out the Criminal Justice Alliance website which contains in depth blogs from each of the artists involved. Creative Roots was independently evaluated by Mark Jones of Higher Plain Research and Education. Gareth and I were invited to share the research and how the project developed at the New Starts, Prison Arts Symposium held in Liverpool on September 28th. That's one for another blog post...
Creative Roots was funded by the Arts Council of Wales 'Connect and Flourish' (a later strand was supported by G4S).
The artists involved are: Dee Aud Rogers (and co-director of Das Clarks), Bill Chambers, Marega Palser, and Jo Haycock.
This image above are some of the inspirational sources I brought in, including paintings by Cy Twombly, Van Gogh, Grayson Perry, Thrush Holmes, and the Dutch Masters.
- Full Colour Maindee Festival
- Invited artist - Cass Arts
- A fun day with G4S staff who do a very important job - June 2024
- Flower Powers - Solo Exhibition, May 2024
- Residency - Creative Curations with Tin Shed Theatre Co.
- Words Matter - This Ends Now at Oriel 57, Newport: March 2024
- Bright pigments - paints I love
- I feel respected here and I feel human
- Indirect Direct Access, Swansea University and GS Artists: A collaboration with artist Rufus Mufasa
- MariMar - a collaboration
- New Starts Prison Arts
- Drawing Workshop at St Fagan's
- Swynwraig with Rufus Mufasa
- Drawing with a stick
- Creative Roots Exhibition at The Riverfront Theatre and Arts, 2023
- Sketchbook process - Watercolour painting
- The Dutch Master Flower Paintings at The National Gallery
- Without Borders - a global, group exhibition
- Inspiration for making painted books
- Landmarks, a collaboration with Rufus Mufasa in 2018
- Panel Discussion at BBC Radio Cymru
- Where my obsession with Ultramarine blue comes from
- Colour Inspiration: The Storyteller
- Image transfer Experiments
- Finding a voice. Finding a starting point.
- Maindee Stories
- Some inspiration for 'Maindee Stories' - Grayson Perry's 'The Vanity of Small Differences'
- Natasha Kerr - Inspiration for a collaborative textile art project
- Human Nature Endangered 13, Ackroyd Drive, Tower Hamlets
- Lost Connections
- Lost Connections at Barnabas Arts House
- Lost Connections at the Riverfront
- Human Nature Show, in pictures
- 30 Minute Portrait Stories – Development
- Making connections. #30MinutePortraitStories
- 30 Minute Portrait Stories- Continued
- 30 Minute Portrait Stories
- Refugees & Asylum Seekers, by guest blogger Helena Kyriakides
- Refugee Week, Newport #ThenAndNow
- Then & Now. What I think about it
- Human Nature Show, Bristol at Centrespace Gallery – July 2015
- Beneath The Surface, 2015
- E-wasteland, from Lost Connections makes the front cover of PQ Magazine
- Progress - 'Beneath the Surface'
- Beneath The Surface - Work in progress
- Work's changing...
- The Philosophy of Kintsugi
- Beneath The Surface
- Talking about life in the Creative Industries
- Making textures for paintings
- Adding the final pieces to Lost Connections triptych
- Developing the idea of 'Lost Connections'
- You can find inspiration in Everything - (And if you can't, look again) – Paul Smith
- Marrakech colour