Swynwraig with Rufus Mufasa
Recently, I've been asked what am I doing these days!
I've been working on a collaboration with Rufus Mufasa (International Literary Activist, Lyricist-Poet-Rapper-Mother) on her Swynwraig* project * The last time we worked together was in 2018 (Landmarks).
I'm facilitating mixed media workshops focussing on textiles with Rufus and Rhian Anderson. We're creating a patchwork denim banner and clothes for a parade with local people in the Abertridwr Valley. There are also online sessions that explore the language of the valley, feminism in language. We're learning Welsh through 'Hop Tŷ' gatherings online and in person. Exploring the Welsh language in experimental ways changes our relationship with it and helps make it easier to remember. I'm still struggling with it – however, it's giving me new ideas for paintings!
(The Welsh word Swyn means spell, charm, or incantation, the direct translation of Swynwraig is “charm lady”, “spell wife” or “woman who practises incantations).”
Rufus invited Dr. Gemma June Howell to our online gatherings. Gemma says,
“During my presentation at Swynwraig, a group focused on exploring identity, place, history, connection, culture, Welsh language, and creativity, I discussed my Ph.D research. Contributing to feminist epistemology, my research aims to shed light on the disparities between social perceptions and the ‘real-life’ lived experiences of working-class people.
I talked about how I presented my findings in an innovative way through a hybrid novel. This novel combines two distinct literary genres that intertwine technically, introspectively, and thematically. The main narrative is a tribute to working-class people of various backgrounds, living on the fringes of post-industrial neoliberal Britain. This narrative is complemented by concrete poetry in a punk graffiti style.
This unique structure allowed for a deeper exploration of hidden narratives and facilitated connections between economic poverty, stigmatization, and marginalization during key periods of social change in contemporary British history. My novel incorporates diverse narrative voices and literary styles, ranging from poetic to polemic and melodramatic to comedic. These elements strengthen both character development and the novel's non-conformist message. This unique approach aims to give voice to the experiences of working-class women, in the context of social and economic change in Wales.
Throughout the story, centred around the character Girlo Wolf, I depicted five generations of familial relationships, friendships, and acquaintances. It serves as an exploration of the diverse lived experiences, revealing the historical and current discrimination, marginalization, and subjugation of working-class women in the UK.
Additionally, I shared excerpts from my valley dialect collection titled ‘Rock Life: 17 poems from the Welsh Valleys,’ highlighting the diversity of culture and class in Wales. As well as a few concrete poems which feature in my forthcoming novel and have been published in Poetry Wales (Summer 2023) and The London Magazine (Winter 2021).
I believe that women coming together to discuss the evolution of language holds immense importance, particularly from a feminist perspective. Language is not just a tool of communication but a reflection of societal norms and power dynamics. These gatherings provide a platform for women to explore how language has historically shaped and sometimes limited their roles, and how it can be a powerful vehicle for empowerment and change.
Through these conversations, creativity becomes a bridge that connects and unites women across generations, cultures and languages. It allows for the expression of diverse experiences and perspectives, strengthening the cultural and heritage bonds that tie them together. By reclaiming and reshaping language, women empower themselves to challenge traditional narratives and rewrite their own stories, fostering a sense of solidarity and progress in the ongoing pursuit of gender equality."
Come along to our session tomorrow evening, Wednesday 4th October from 6 – 8pm at Dwell Cafe, Senghenydd, CG83 4FY. Everyone is welcome! Materials and tuition are free.
Our community arts activism parade will take place at the end of this month. Look out for updates on our socials.
Swynwraig is part of 'Undercurrents On Our Doorstep' a partnership project between Undercurrents Arts in the Aber Valley community group; Caerphilly County Borough Council and ADDO. Funded by the Arts Council of Wales Connect and Flourish with additional funding and in-kind support from Caerphilly County Borough Council's Arts Development Team, The Integrated Wellbeing Network Gwent and Aber Valley Community Council and Growing Space, Pontypool.
- Full Colour Maindee Festival
- Invited artist - Cass Arts
- A fun day with G4S staff who do a very important job - June 2024
- Flower Powers - Solo Exhibition, May 2024
- Residency - Creative Curations with Tin Shed Theatre Co.
- Words Matter - This Ends Now at Oriel 57, Newport: March 2024
- Bright pigments - paints I love
- I feel respected here and I feel human
- Indirect Direct Access, Swansea University and GS Artists: A collaboration with artist Rufus Mufasa
- MariMar - a collaboration
- New Starts Prison Arts
- Drawing Workshop at St Fagan's
- Swynwraig with Rufus Mufasa
- Drawing with a stick
- Creative Roots Exhibition at The Riverfront Theatre and Arts, 2023
- Sketchbook process - Watercolour painting
- The Dutch Master Flower Paintings at The National Gallery
- Without Borders - a global, group exhibition
- Inspiration for making painted books
- Landmarks, a collaboration with Rufus Mufasa in 2018
- Panel Discussion at BBC Radio Cymru
- Where my obsession with Ultramarine blue comes from
- Colour Inspiration: The Storyteller
- Image transfer Experiments
- Finding a voice. Finding a starting point.
- Maindee Stories
- Some inspiration for 'Maindee Stories' - Grayson Perry's 'The Vanity of Small Differences'
- Natasha Kerr - Inspiration for a collaborative textile art project
- Human Nature Endangered 13, Ackroyd Drive, Tower Hamlets
- Lost Connections
- Lost Connections at Barnabas Arts House
- Lost Connections at the Riverfront
- Human Nature Show, in pictures
- 30 Minute Portrait Stories – Development
- Making connections. #30MinutePortraitStories
- 30 Minute Portrait Stories- Continued
- 30 Minute Portrait Stories
- Refugees & Asylum Seekers, by guest blogger Helena Kyriakides
- Refugee Week, Newport #ThenAndNow
- Then & Now. What I think about it
- Human Nature Show, Bristol at Centrespace Gallery – July 2015
- Beneath The Surface, 2015
- E-wasteland, from Lost Connections makes the front cover of PQ Magazine
- Progress - 'Beneath the Surface'
- Beneath The Surface - Work in progress
- Work's changing...
- The Philosophy of Kintsugi
- Beneath The Surface
- Talking about life in the Creative Industries
- Making textures for paintings
- Adding the final pieces to Lost Connections triptych
- Developing the idea of 'Lost Connections'
- You can find inspiration in Everything - (And if you can't, look again) – Paul Smith
- Marrakech colour